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Salaam Namaste became one of the biggest box-office hits of 2005 in India, as well as India's biggest hit in the overseas market that year. On 24 September 2005, the script of the film was invited to be included in the Margaret Herrick Library, which is operated by the Academy of Motion Picture Arts and Sciences. Zinta received several nominations for her role in various film ceremonies, such as the Filmfare Awards, IIFA Awards, Star Screen Awards and Zee Cine Awards.
Kal Ho Naa Ho (literally There May Be A Tomorrow Or Not) is a 2003 Hindi film set in New York City. It stars Jaya Bachchan, Shahrukh Khan, Preity Zinta, and Saif Ali Khan. The film was directed by first-timer Nikhil Advani; it was produced and co-written by Karan Johar, better known as the director of the hit films Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhi Gham (2001). The movie is also noted for its soundtrack, which was a huge commercial and critical success and earned the composers Shankar Ehsaan Loy the National Film Award for Best Music Direction.
Unlike with many other Hindi productions, the film's makers also complied with international copyright laws and obtained the license to use Roy Orbison's "Oh, Pretty Woman" for an extended musical sequence taking place in the streets in New York. The film eventually grossed over Rs 600 million worldwide. It became the second top-grossing movie in India and the top-grossing Bollywood film in the overseas market that year.
The film was screened at the Valenciennes, Era New Horizons, Marrakech International and Helsinki Film Festival.
Preity Zinta born 31 January 1975) is an Indian film actress. She has appeared in Hindi films of Bollywood, as well as Telugu, Punjabi and English language films. After graduating with a degree in criminal psychology, Zinta made her acting debut in Dil Se in 1998 followed by a role in Soldier the same year. These performances earned her a Filmfare Award for Best Female Debut, and she was later recognised for her role as a teenage single mother in Kya Kehna (2000). She subsequently played a variety of character types; her film roles along with her screen persona contributed to a change in the concept of a Hindi film heroine.
